The Choice of Music in Any Film and the Meanings of the Actions Research Paper

The Choice of Music in Any Film and the Meanings of the Actions Performed in the Film - Research Paper Example In the Pianist, the horror story of the Nazi holocaust is told through the story of Wladyslaw Szpilman. He is a Polish-Jewish Pianist cum composer trapped in the evil objective of the Nazi manifesto to degrade the Jewish people of the world (Akhtar, Rogers & Plotkin, 2002). Music in both films is used to achieve different emotions to viewers in order to convey different messages to them. While â€Å"The Pianist† starts with a low note of the piano The GodFather begins in the centre of the underworld which is Don Corleone’s office as he listens to requests in his role as The GodFather; the leader of the crime world. Dressed in a dark suit and a white shirt The GodFather epitomizes the cadre of his profession which is a raw crime. Outside the dark tense office of Don Corleone, there is an ongoing wedding full of pomp and music; it is the wedding of his only daughter. This is meant from the onset to show the two different worlds in a mafia family. While the women and the c hildren are spared the intricacies of mafia operations the men such as Sony and his father are the kingpins of the underworld. The Pianist begins in the streets of Warsaw in 1939 at the onset of the world war. Szpilman is behind his keyboard in the studios of the polish state radio playing Chopin 's Nocturne in C-sharp minor Lento con gran espressione. The calm composition signifies the pieced prevailing in Warsaw before it is attacked by the Nazi thugs. As Stillman plays the piano the first sounds of the raging war outside are heard presumably from the window behind his producer in the studio.